The Hunting Party Page 2

  It’s been ages since we’ve all been together like this – not since last New Year’s Eve, probably. I always forget what it’s like. We fit back so quickly, so easily, into our old roles, the ones we have always occupied in this group. I’m the quiet one – to Miranda and Samira, my old housemates, the group extroverts. I revert. We all do. I’m sure Giles, say, isn’t nearly such a clown in the A&E department where he’s a senior registrar. We clamber into the Land Rover. It smells of wet dog and earth in here. I imagine that’s what the gamekeeper would smell like, too, if you got close enough. Miranda is up front, next to him. Every so often I catch a whiff of her perfume: heavy, smoky, mingling oddly with the earthiness. Only she could get away with it. I turn my head to breathe in the fresh air coming through the cracked window.

  On one side of us now a rather steep bank falls away to the loch. On the other, though it’s not quite dark, the forest is already impenetrably black. The road is nothing more than a track, pitted and very thin, so a false move would send us plunging down towards the water, or crashing into the thickets. We see-saw our way along and then suddenly the brakes come on, hard. All of us are thrown forward into our seats and then slammed back into them.

  ‘Fuck!’ Miranda shouts, as Priya – so quiet for the journey up – begins to howl in Samira’s arms.

  A stag is lit up in the track in front of us. It must have detached itself from the shadow of the trees without any of us noticing. The huge head looks almost too big for the slender reddish body, crowned by a vast bristle of antlers, both majestic and lethal-looking. In the headlights its eyes gleam a weird, alien green. Finally it stops staring at us and moves away with an unhurried grace, into the trees. I put a hand to my chest and feel the fast drumbeat of my heart.

  ‘Wow,’ Miranda breathes. ‘What was that?’

  The gamekeeper turns to her and says, deadpan, ‘A deer.’

  ‘I mean,’ she says, a little flustered – unusually for her – ‘I mean, what sort of deer?’

  ‘Red,’ the gamekeeper says, ‘A red stag.’ He turns back to the road. Exchange over.

  Miranda twists around to face us over the back of the seats, and mouths, ‘He’s hot, no?’ Samira and Emma nod their agreement. Then, aloud, she says, ‘Don’t you think so, Katie?’ She leans over and pokes me in the shoulder, a tiny bit too hard.

  ‘I don’t know,’ I say. I look at the gamekeeper’s impassive expression in the rear-view mirror. Has he guessed we’re talking about him? If so he gives no indication that he’s listening, but all the same, it’s embarrassing.

  ‘Oh, but you’ve always had strange taste in men, Katie,’ Miranda says, laughing.

  Miranda has never really liked my boyfriends. The feeling has, funnily enough, generally been mutual – I’ve often had to defend her to them. ‘I think you pick them,’ she said once, ‘so that they’ll be like the angel on your shoulder, telling you: she’s not a good’un, that one. Steer clear.’ But Miranda is my oldest friend. And our friendship has always outlasted any romantic relationship – on my side, that is. Miranda and Julien have been together since Oxford.

  I wasn’t sure what to make of Julien when he came on the scene, at the end of our first year. Neither was Miranda. He was a bit of an anomaly, compared to the boyfriends she’d had before. Admittedly, there were only a couple for comparison, both of them projects like me, not nearly as good-looking or as sociable as her, guys who seemed to exist in a permanent state of disbelief that they had been chosen. But then, Miranda has always liked a project.

  So Julien seemed too obvious for her, with her love of waifs and strays. He was too brashly good-looking, too self-confident. And those were her words, not mine. ‘He’s so arrogant,’ she’d say. ‘I can’t wait to hand him his balls next time he tries it on.’ I wondered if she really couldn’t see how closely he mirrored her own arrogance, her own self-confidence.

  Julien kept trying. And each time, she rebuffed him. He’d come over to chat to us – her – in a pub. Or he’d just happen to ‘bump into’ her after a lecture. Or he’d casually be dropping in to the bar of our college’s Junior Common Room, ostensibly to see some friends, but would spend most of the night sitting at our table, wooing Miranda with an embarrassing frankness.

  Later I came to understand that when Julien wants something badly enough he won’t let anything stand in the way of his getting it. And he wanted Miranda. Badly.

  Eventually, she gave in to the reality of the situation: she wanted him back. Who wouldn’t? He was beautiful then, still is, perhaps even more so now that life has roughed a little of the perfection off him, the glibness. I wonder if it would be biologically impossible not to want a man like Julien, at least in the physical sense.

  I remember Miranda introducing us, at the Summer Ball – when they finally got together. I knew exactly who he was, of course. I had borne witness to the whole saga: his pursuit of Miranda, her throwing him off, him trying and trying – her, finally, giving in to the inevitable. I knew so much about him. Which college he was at, what subject he was studying, the fact that he was a rugby Blue. I knew so much that I had almost forgotten he wouldn’t have a clue who I was. So when he kissed me on the cheek and said, solemnly, ‘Nice to meet you, Katie,’ – quite politely, despite being drunk – it felt like a big joke.

  The first time he stayed at our house – Miranda, Samira and I all lived together in the second year – I bumped into him coming out of the bathroom, a towel wrapped around his waist. I was so conscious of trying to be normal, not to look at the bare expanse of his chest, at his broad, well-muscled shoulders gleaming wet from the shower, that I said, ‘Hi, Julien.’

  He seemed to clutch the towel a little tighter around his waist. ‘Hello.’ He frowned. ‘Ah – this is a bit embarrassing. I’m afraid I don’t know your name.’

  I saw my mistake. He had completely forgotten who I was, had probably forgotten ever having met me. ‘Oh,’ I said, putting out my hand, ‘I’m Katie.’

  He didn’t take my hand, and I realised that this was another mistake – too formal, too weird. Then it occurred to me it might also have been that he was keeping the towel up with that hand, clutching a toothbrush with the other.

  ‘Sorry.’ He smiled then, his charming smile, and took pity on me. ‘So. What did you do, Katie?’

  I stared at him. ‘What do you mean?’

  He laughed. ‘Like the novel,’ he said. ‘What Katie Did. I always liked that book. Though I’m not sure boys are supposed to.’ For the second time he smiled that smile of his, and I suddenly thought I could see something of what Miranda saw in him.

  This is the thing about people like Julien. In an American romcom someone as good-looking as him might be cast as a bastard, perhaps to be reformed, to repent of his sins later on. Miranda would be a bitchy Prom Queen, with a dark secret. The mousey nobody – me – would be the kind, clever, pitifully misunderstood character who would ultimately save the day. But real life isn’t like that. People like them don’t need to be unpleasant. Why would they make their lives difficult? They can afford to be their own spectacularly charming selves. And the ones like me, the mousey nobodies, we don’t always turn out to be the heroes of the tale. Sometimes we have our own dark secrets.

  What little light there was has left the day now. You can hardly make out anything other than the black mass of trees on either side. The dark has the effect of making them look thicker, closer: almost as though they’re pressing in towards us. Other than the thrum of the Land Rover’s engine there is no noise at all; perhaps the trees muffle sound, too.

  Up front, Miranda is asking the gamekeeper about access. This place is truly remote. ‘It’s an hour’s drive to the road,’ the gamekeeper tells us. ‘In good weather.’

  ‘An hour?’ Samira asks. She casts a nervous glance at Priya, who is staring out at the twilit landscape, the flicker of moonlight between the trees reflected in her big dark eyes.

  I glance out through the back window. All I can see is a tunne
l of trees, diminishing in the distance to a black point.

  ‘More than an hour,’ the gamekeeper says, ‘if the visibility is poor or the conditions are bad.’ Is he enjoying this?

  It takes me an hour to get down to my mum’s in Surrey. That’s some sixty miles from London. It seems incredible that this place is even in the United Kingdom. I have always thought of this small island we call home as somewhat overcrowded. The way my stepdad likes to talk about immigrants, you’d think it was in very real danger of sinking beneath the weight of all the bodies squeezed onto it.

  ‘Sometimes,’ the gamekeeper says, ‘at this time of year, you can’t use the road at all. If there’s a dump of snow, say – it would have been in the email you got from Heather.’

  Emma nods. ‘It was.’

  ‘What do you mean?’ Samira’s voice has an unmistakable shrillness now. ‘We won’t be able to leave?’

  ‘It’s possible,’ he says. ‘If we get enough snow the track becomes impassable – it’s too dangerous, even for snow tyres. We get at least a couple of weeks a year, in total, when Corrin is cut off from the rest of the world.’

  ‘That could be quite cosy,’ Emma says quickly, perhaps to fend off any more worried interjections from Samira. ‘Exciting. And I’ve ordered enough groceries in—’

  ‘And wine,’ Miranda supplies.

  ‘—and wine,’ Emma agrees, ‘to last us for a couple of weeks if we need it to. I probably went a bit overboard. I’ve planned a bit of a feast for New Year’s Eve.’

  No one’s really listening to her. I think we’re all preoccupied by this new understanding of the place in which we’re going to spend the next few days. Because there is something unnerving about the isolation, knowing how far we are from everything.

  ‘What about the station?’ Miranda asks, with a sort of ‘gotcha!’ triumph. ‘Surely you could just get a train?’

  The gamekeeper gives her a look. He is quite attractive, I realise. Or at least he would be, only there’s something haunted about his eyes. ‘Trains don’t run so well on a metre of snow, either,’ he says. ‘So they wouldn’t be stopping here.’

  And, just like that, the landscape, for all its space, seems to shrink around us.

  DOUG

  If it weren’t for the guests, this place would be perfect. But he supposes he wouldn’t have a job without them.

  It had been everything he could do, when he picked them up, not to sneer. They reek of money, this lot – like all those who come here. As they approached the Lodge, the shorter, dark-haired man – Jethro? Joshua? – had turned to him in a man-to-man way, holding up a shiny silver phone. ‘I’m searching for the Wi-Fi,’ he said, ‘but nothing is coming up. Obviously there’s no 3G: I get that. You can’t have 3G without a signal … Ha! But I would have thought I’d start picking up on the Wi-Fi. Or do you have to be closer to the Lodge?’

  He told the man that they didn’t turn the Wi-Fi on unless someone asked for it specifically. ‘And you can sometimes catch a signal, but you have to climb up there’ – he pointed to the slope of the Munro – ‘in order to get it.’

  The man’s face had fallen. He had looked for a moment almost frightened. His wife had said, swiftly, ‘I’m sure you can survive without Wi-Fi for a few days, darling.’ And she smothered any further protest with a kiss, her tongue darting out. Doug had looked away.

  The same woman, Miranda – the beautiful one – had sat up in front with him in the Land Rover, her knee angled close to his own. She had laid an unnecessary hand on his arm as she climbed into the car. He caught a gust of her perfume every time she turned to speak to him, rich and smoky. He had almost forgotten that there are women like this in the world: complex, flirtatious, the sort who have to seduce everyone they meet. Dangerous, in a very particular way. Heather is so different. Does she even wear perfume? He can’t remember noticing it. Certainly not make-up. She has the sort of looks that work better without any adornment from cosmetics. He likes her face, heart-shaped, dark-eyed, the elegant parentheses of her eyebrows. Someone who hadn’t spent time with Heather might think that there was a simplicity to her, but he suspects otherwise; that with her it is very much a case of still waters running deep. He has a vague idea that she lived in Edinburgh before, that she had a proper career there. He has not tried to find out what her story is, though. It might mean revealing too much of his own.

  Heather is a good person. He is not. Before he came here, he did a terrible thing. More than one thing, actually. A person like her should be protected from someone like him.

  The guests are now in Heather’s charge, for the moment – and that’s a relief. It took no small effort to conceal his dislike of them. The dark-haired man – Julien, that was the name – is typical of the people that stay here. Moneyed, spoiled, wanting wilderness, but secretly expecting the luxury of the hotels they’re used to staying in. It always takes them a while to process what they have actually signed up for, the remoteness, the simplicity, the priceless beauty of the surroundings. Often they undergo a kind of conversion, they are seduced by this place – who wouldn’t be? But he knows they don’t understand it, not properly. They think that they’re roughing it, in their beautiful cabins with their four-poster beds and fireplaces and underfloor heating and the fucking sauna they can trot over to if they really want to exert themselves. And the ones he takes deer-stalking act as if they’ve suddenly become DiCaprio in The Revenant, battling with nature red in tooth and claw. They don’t realise how easy he has made it for them, doing all the difficult work himself: the observation of the herd’s activities, the careful tracking and plotting … so that all they have to do is squeeze the bloody trigger.

  Even the shooting itself they rarely get right. If they shoot badly they could cause a wound that, if left, might cause the animal to suffer for days in unimaginable pain. A misfired headshot for example (they often aim for the head even though he tells them: never go for it, too easy to miss) could cleave away the animal’s jaw and leave it alive in deepest agony, unable to eat, slowly bleeding to death. So he is there to finish it off with an expert shot, clean through the sternum, allowing them to go home boasting of themselves as hunters, as heroes. The taking of a life. The baptism in blood. Something to post on Facebook or Instagram – images of themselves smeared in gore and grinning like lunatics.

  He has taken lives, many of them in fact. And not just animal. He knows better than anyone that it is not something to boast about. It is a dark place from which you can never quite return. It does something to you, the first time. An essential change somewhere deep in the soul, the amputation of something important. The first time is the worst, but with each death the soul is wounded further. After a while there is nothing left but scar tissue.

  He has been here for long enough to know all the different ‘types’ of guests, has become as much of an expert in them as he is in the wildlife. But he isn’t sure which variety he hates more. The ‘into the wild’ sort, the ones who think they have in a few short days of luxury become ‘at one’ with nature. Or the other kind, the ones who just don’t get it, who think they have been tricked … worse, robbed. They forget what it is they booked. They find problems with everything that deviates from the sort of places they are used to staying in, with their indoor swimming pools and Michelin-starred restaurants. Usually, in Doug’s opinion, they are the ones who have the most problems with themselves. Remove all of the distractions, and here, in the silence and solitude, the demons they have kept at bay catch up with them.

  For Doug, it is different. His demons are always with him, wherever he is. At least here they have space to roam. This place attracted him for a rather different reason, he suspects, than it does the guests. They come for its beauty – he comes for its hostility, the sheer brutality of its weather. It is at its most uncompromising now, in the midst of its long winter. A few weeks ago, up on the Munro, he saw a fox slinking through the snow, the desiccated carcass of some small creature clamped in its jaws. Its fur was t
hin and scabrous, its ribs showing. When it spotted him it did not bolt immediately. There was a moment when it stared back at him, hostile, challenging him to try to take its feast. He felt a kinship with it, a stronger sense of identification than he has had with any human, at least for a long time. Surviving, existing – just. Not living. That is a word for those who seek entertainment, pleasure, comfort out of each day.

  He was lucky to get this job, he knows that. Not just because it suits him, his frame of mind, his desire to be as far from the rest of humanity as possible. But also because it is very likely that no one else would have had him. Not with his past. The man sent to interview him by the boss had seen the line on his record, shrugged, and said, ‘Well, we definitely know you’ll be good for dealing with any poachers, then. Just try not to attack any of the guests.’ And then he had grinned, to show that he was joking. ‘I think you’ll be perfect for the job, actually.’

  That had been it. He hadn’t even had to try to excuse or explain himself – though there was no excuse, not really. A moment of violent madness? Not really: he had known exactly what he was doing.

  When he thinks about that night, now, hardly any of it seems real. It seems like something glimpsed on the TV, as though he were watching his own actions from a long way away. But he remembers the anger, the punch of it in his chest, and then the brief release. That stupid, grinning face. Then the sound of something shattering. Inside his own mind? The sense of feeling himself unshackled from the codes of normal behaviour and loosed into some animal space. The feel of his fingers, gripping tightly about yielding flesh. Tighter, tighter, as though the flesh was something he was trying to mould with sheer brute force into a new, more pleasing shape. The smile finally wiped away. Then that warped sense of satisfaction, lasting for several moments before the shame arrived.

  Yes, it would have been difficult to get a job doing much of anything after that.